Omega Constellation ‘C’ Model reference 168.017 ca.1968
Later in the 1960s, Omega came up with a different case design for the Constellation collection. While the famous round “pie-pan” models were still available during the time, Omega also introduced the “C”-shaped model. The one I picked is Reference 168.017. It contains automatic Caliber 564, which has a quick-set feature. This model appears to be larger than the round models, mainly due to the integrated lugs, but is also just 35-mm in diameter. It certainly wears larger, though. You will also be able to find these models from a later period with a 300-Hz tuning-fork movement.
Although the case shape is a bit peculiar for today’s tastes, perhaps, the dial is something you should pay attention to. It has a very nice texture, which is a bit difficult to see in the picture, and the stick-shaped hour markers have onyx inlays. The caseback has the Geneva Observatory emblem, of course.
As you can see on the picture of the movement, the gold-copper finish is very nice to look at. If you are going to buy a vintage Omega with a similar caliber, make sure to have a peek at the movement before you buy. Some of them have green spots (moisture) or patina (also moisture) and if there are too many of these spots, I would leave the watch alone.
Omega Seamaster De Ville 166.020 ca.1968
Before the De Ville became a stand-alone collection of watches, Omega used this name for some of the dress watches in its Seamaster collection. A number of these Seamaster dress watches actually are not that much different from the Constellation watches, except that the Constellation models always had chronometer-certified movements and the cases were a bit fancier.
This Seamaster De Ville also has anautomaticcaliber (565) and has a gold-capped case. Do not mistake this for a plaque or double; it is more like a shell of solid gold that goes over a stainless-steel case. You could say these were the two-tone watches of that era. Unfortunately, the watch in this photo does not have an original crown (it is unsigned and slightly too big) but with a bit of luck you might find either an original spare crown, or even a model with the correct crown. The stainless steel caseback has the Seamaster logo and Seahorse image embossed.
When Rolex unveils a new watch, it does it exactly when it wants to do it. Aswe told you before, when we were guessing what the new Rolex watches would be back in 2014, Rolex can be even more secretive than the famous Swiss banks. Our guesses turned out to be pretty accurate, and one of the models that we were hoping to see was a new Rolex GMT-Master II with red/blue “Pepsi” bezel. However, The “Pepsi” the brand launched that year elicited some rather mixed emotions at Monochrome headquarters.
At the moment that Rolex opened the windows of its Baselworld booth (which could easily serve as a large house or a huge, three-story boutique) — while theMonochrome-Watchesteam were attending the Tudor press conference and being presented thecool new Black Bay Blue— our colleague Mario, who was not present at Baselworld, sent us a text message with a link to the new Rolexes. Suspense, and then… YES… a Pepsi! But as quickly as the enthusiasm erupted, it faded away again. The reason for that was that Rolex decided to make its most desirable new watch in years inwhite gold.
Now, usually the metal used for a new timepiece is just journalistic jotting. However, when a watch is on our personal shopping list, the choice becomes an important factor and all journalistic “neutrality” vanishes. The white-gold GMT-Master II has a price tag that is 20,000 euros higher than theGMT-Master II 116710 BLNRthat was introduced last year. We realized that we’ll have to put coins in our piggy bank for many more years, and won’t be able to buy the new Pepsi for “that life-changing event” later this year.
The new “Pepsi” does look very good, actually, pretty much exactly as we hoped it would look. What we hadn’t realized is that creating that blue/red bezel was rather difficult — in fact, you could easily label it ‘next to impossible’ — and that was the reason that Rolex hadn’t created the “Pepsi” bezel in Cerachrom before.
Here is some text from the official Rolex press release that we hope will help you to fully understand how difficult the process of creating a two-tone Cerachrom bezel is:
The name “Cerachrom” derives from a contraction of the word “ceramic” juxtaposed with the suffix “chrom” from the ancient Greek word for “colour”. The range of available shades for ceramic is however restricted by its very manufacturing process. Colours are generally created by adding mineral pigments that can withstand the very high temperatures at which the ceramic is fired for its densification and to acquire its characteristic hardness. Red, typically, is a colour for which no stable mineral pigments exist to create a Cerachrom component. Rolex nevertheless managed to produce a red ceramic. But this innovation represented only half the journey.
Rolex’s in-house engineers finally found an answer to the second half of the challenge. The ingenious process consists of introducing an intermediate step in the manufacture of the standard Cerachrom insert. During this innovative bulk-colouring step, half of the red ceramic insert is coloured blue. The colour is achieved by impregnating the part of the insert representing night-time hours, between 6 p.m. and 6 a.m., with a controlled quantity of a solution of chemical compounds. The solution is added before sintering at more than 1,600 °C, when the ceramic acquires its mechanical resistance properties as well as its colour. In the course of this firing, the ceramic densifies and the added compounds react with the basic elements of the red Cerachrom insert to conjure up the final blue colour.
Although the idea in itself may appear simple, a number of major technical hurdles had to be overcome before it could be implemented: the formulation of a solution of precursor chemical compounds that would turn red into blue; the homogenous application of an appropriate quantity of this solution; ensuring a sharp, precise and clear demarcation between the two coloured areas, the definition of the precise length of time and temperature for the sintering so as to prevent any distortion of the piece. Every single one of these parameters is crucial for the success of the process and the quality of the final product.
Parmi les changements assez évidentes entre les montres modernes et vintage est l'utilisation du calibre automatique El Primero par rapport à l'historique, à remontage manuel Calibre 146 DP.En outre, notez l'absence du "A.Cairelli / Roma "texte au bas du cadran en faveur de" automatique ", un changement qui est logique compte tenu de la montre est plus distribué par le distributeur basé à Rome.Enfin, Zenith a choisi d'utiliser un fond vissé dans par rapport à la caseback vissée vu sur le modèle original, très probablement une décision fonctionnelle fait pour augmenter le confort de la pièce sur le poignet.
À mon avis, Zenith a montré un grand niveau de retenue de bon goût pour maintenir la précision historique de cette montre.La marque très bien aurait pu ajouter un troisième cadran ou d'une fenêtre de date, ou même allé jusqu'à ajouter une luminescence faux-patine aux accents blancs propres sur le visage.Au lieu de cela, Zenith a pris les éléments de conception de la pièce vintage et utilisé les modernes de fabrication, les matériaux et les mouvements d'aujourd'hui pour produire une montre.La recréation moderne de la CP-2 est une rareté dans le monde d'aujourd'hui de l'horlogerie, et je ne serais pas surpris si d'autres marques suivent bientôt costume dans la façon dont ils revisitent certains de leurs morceaux les plus célèbres.
Pour notre article leplus récent, dans lequel je regarde les inspirations historiques pour Voiture de marque indépendante Nezumi,cliquez ici.
Caleb Anderson est un auteur indépendant avec un accent mis sur lesmontres vintage.Depuis lepremier apprentissage de l'horlogerie, il a acquis unevaste connaissance dans le domaine, et passe beaucoup de son temps departager ses opinions entre autres écrivains, collectionneurs et marchands.Actuellement situé près deNew York, il est étudiant persistant dans toutes leschoses historiques, un écrivain sur denombreux sujets, et un coureur occasionnel.
Ceci est la magnifique, belle réplique de l'original 1969 Speedmaster Mark II.Le boîtier en acier de 42,4 x 46,2 mm contient le calibre Omega 3330 avec un échappement co-axial et la spirale de silicium.Deux exécutions sont offerts par Omega.Dans la version représentée ici, non seulement ses mains et indices qui brillent dans l'obscurité d'orange, mais aussi l'échelle de tachymètre sur la soi-disant rehaut du cadran.Prix: 6250 $.
Rado HyperChrome Chronographe automatique
Ceci est une haute technologie chronographe en céramique noire qui ressemble tout simplement bon, et à un prix qui est attrayant.La surface de la montre ne peut pas être rayé de sorte qu'il gardera son sang froid, regard discret pour toujours.Le boîtier en céramique de 45 mm abrite un chronographe calibre ETA 2894-2.Prix: 4.050 euros.
Sinn 103 Ti UTC TESTAF
41 mm de boîtier en titane Cette montre esttitulaire d'un ETA 7750 calibre avec une fonction GMT et a été modifié par Sinn pour résister aux critères sévères de TESTAF.Qu'est -ce queTESTAF(Technischer standard Fliegeruhren)?Cliquezicipour plus dedétails.Le "103" est une montre Sinn typique, entièrement emballé avec extras techniques, il est donc tout àfait un chronographe particulier.Prix: 3184 $.
* Cet article a été initialement publié en 2015;Les prix sont susceptibles de changer.
Why the Jazzmaster, again? Haven’t there been some extensive discussions on the series previously? Sure, but not on this particular model, which is – let’s just call it incredible! No; not because of the latest innovations in watch-making finding their way into it. It is for the improvisations this time on the proven design of its primary version. Modernity is held as a king in this particular model, evident from its contemporary shaping and the dial design, all exhibiting a confidence that only true quality can impart.
It’s a pleasant surprise the way its gray sunburst dial catches the light. The blue hands stand out with an enhanced tonal vibrancy against it while the silver sub-dials shine in a terrific manner, exceeding all expectations. A great parity in the colour scheme results from the black strap with gray stitch. The buckle is standard and Hamilton-signed, which is great for a quick put-on or take-off.
This one, too, relies on the same JazzMaster formula, complete with signature ornate lugs, elegant, luxurious dials and Swiss mechanical movements. It shows how the classic turns modern without deviating from its dress-chrono path a bit. So far, it is one of the most handsome offerings in the entire dress/sports category; all brands included and packs in quite a lot of wrist presence without compromising on wearing comfort. It feels special.
The monochromatic colouring makes it simultaneously cool, classy and retro, reminding of the jazz clubs of the ‘60s. Its excellent symmetry comes from the light changes in the set patterns, which is most evident from the flared-down date window. It integrates beautifully with the rest of the additions to the dial; with the chronograph counters and the small seconds-hand. It keeps this JazzMaster from turning too flashy but still carries a pleasant shine.
Turn it over and there’s the 27-jewel ETA 7753 movement gleaming through the glass. It is the classic 3-6-9 layout version of the 7750 and is considered one among the best chrono movements that are used in contemporary mass-produced watches. The chronograph function uses the 30 minutes (at 3’o clock dial) and hour-measure counters (at 9’o clock) while to count the seconds, it uses the large seconds-hand at the centre. It doesn’t conflict with the small sub-seconds at the bottom.
However, unlike others, the crown has only two positions, not three. When pushed in, it allows hand-winding; pulled out, it sets the time. To adjust the date, press the small inset button on the case at 10’o clock. It will advance one step at a time.
But putting everything aside, the new Jazzmaster is an incredible watch in person and the slightly domed sapphire crystal is a big reason behind. It’s not very often you come across glass that blends so smoothly into the bezel!